visualBrum: same tips – new site

As part of my final project for my MA in Online Journalism at Birmingham City University, I held several videography workshops last year, addressing citizen journalists, communities, bloggers and non-profits – and anyone else interested. To support this, I published some tips for beginners on posterous, including advice on how to conduct and frame interviews, as well as general composition, ethics and basic editing tips. As this service will be shut down on April 30th, I’ve moved those tips to tumblr. And they’ll hopefully stay there for a while.

civi

Moreover, based on the experience I gained in those workshops as well as on lessons learned, I wrote a short eBook called “Citizen Video“, for everyone who’s interested in this topic or even planning to hold such workshops himself. I also collected some tips and opinions on holding such workshops from Adam Perry, John Coster and Mark Potts (thanks again for your support!).

You can download Citizen Video for free on Leanpub. And at least here I can say for sure that this won’t change. 

 

 

 

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The future is web video

Deutscher Webvideopreis 2013

I’ve recently moved to another city for a while and couldn’t take my TV with me. The only thing that annoyed me about this was that I couldn’t use my XBOX for a while. Do I miss the TV program? Not really. Would I miss my laptop and watching web videos? Hell yes.

No matter where TV is going in the future, you surely can’t deny the fact that there’s a big thing going on online. YouTube is now the second biggest search engine worldwide. I will spare you the amount of videos being uploaded on there (ok, well, here you go: it’s 72 hours of video – a day!).

Webvideo is not just that funny piece you saw about that bloke stumbling over his dog and falling onto his cat while an elephant is doing a harlem shake in the background (don’t even try to search for this, seriously – but if you do and find it: let me know).

There’s a lot of stuff out there, a huge amount of producers, some for fun, some already made it their full time job. Webvideo isn’t just something to watch to have some distraction or to kill some time. It’s a big thing. And it’s, in my opinion, the future.

Upon this thought, a group of German journalists and web enthusiasts founded the European Web Video Academy in 2011, based in Düsseldorf/Germany, directed by Markus Hündgen and Dimitrios Argirakos and supported by Julius Endert and Daniel Pahl (disclaimer: I’m working there at the moment).

Their aim: Help web video grow stronger, consult (media) companies and promote a new generation of young, talented web video producers. Moreover, for the third time now, the Academy is presenting the German Web Video Award - whis is the first of its kind in Europa and addressing Germany as well as Austria and Switzerland.

The US pendant would be the Streamy Awards, although they are focussing on a series of videos and differentiating between quite a lot of categories, where they are e.g. also awarding best actor/actress or best writer. The categories of the Streamys are rather based on what we know from traditional TV awards, while the German Web Video Award’s categories, 13 in total, are mostly linked to the web:

Academy Approved Art (AAA), Action, Cute, Epic, Fail, FAQ, FYI, Let’s Play, LOL, Newbie, OMG, VIP, WIN.*

The voting system is a mixture of audience and jury votes. The latter are able to push videos by sharing them on social networks, the three videos with the most shares in each category will then proceed to the final round. A jury will select their own choice of three videos/each category.

This applies for 11 of the 13 categories, the nominees and winners in Newbie and AAA will be fully chosen by the jury.

In the final round, it’s again a 50:50 jury and audience choice. Points from 6 to 1 (6 for the best video) will be split between the remaining six videos in each category, both by the jury and depending on the amount of shares (this time both on social networks and blogs). They will then be added to announce the winner – in the case of a tie between jury and audience vote, the latter will be the determining factor.

By the time of writing, more than 3000 videos were being submitted, around 89.000 shares counted, while the competition has only started four weeks ago. The winners will be announced in a ceremony in Düsseldorf on the 25th of May. This event will be accompanied by a two-day “Videocamp”, an unconference/bar camp for video makers. The ceremony will be streamed live on YouTube.

To get an impression, here are some pictures of last year’s ceremony.

*The categories explained: 

Academy Approved Art: 

best video in terms of camera/editing/audio

Action: 

a video with a lot of…action!

Cute: 

No matter if it’s a video of a car or a baby, the cutest one is going to win in this category.

Epic: 

There will only be one truly epic video: The best video of the year.

Fail: 

worst professional video

FAQ: 

service video, explaining step by step how something works

FYI: 

no matter if it’s a journalism or documentary piece, it’s all about informing the audience

Let’s Play: 

gaming videos

LOL: 

funny incidents or comedy: it’s all about videos that make you laugh

Newbie:

for the best budding video producer

OMG: 

for the video with the best surprise effect

VIP: 

for talented personalities in front of the camera or commenting in the background

Win: 

best marketing video

 

 

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Trying to capture New Zealand

In September and October I spent 30 days at the other side of the world, five in Sydney and the rest in New Zealand. I travelled through both the North and the South Island, saw a lot of places, all of which were simply amazing.
I took my camera equipment and filled a lot of space on my Mac with the clips I shot, spending quite some time doing this. Which was fun.
However, I realised that it’s tougher than I thought to produce such a kind of video. I would have loved to have more time, to film more and in more different ways, trying different things –  apart from the need for more time to explore this country.
Well. I guess that just means I need to go on travelling to catch up on that. What a shame!

To be honest, the video should maybe rather be called “Trying to capture New Zealand”. When I e.g. went to Abel Tasman National Park, my companions and I agreed, any time we took a picture, that we couldn’t really capture what we saw – it was too stunning and overwhelming. Sure, you can never replace the experience by a picture or a video (despite them being a powerful and great way to express/show something). But I’ve somehow never felt this as much as I did in New Zealand.
However, I hope this video properly shows how beautiful this place is, brings back nice memories to those who have been there and a desire to go to New Zealand for everyone else.

Oh, and here’s also some pictures.

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Studying the MA in Online Journalism at Birmingham City University (yes, this is the short version)

Two weeks ago I handed in my final project for the MA in Online Journalism at Birmingham City University. The course took one year and was quite different from what I had expected, for various reasons – but in a positive way.  Taking this course was the best decision I could have made. I’ve probably never learnt so much in one year. Moreover, it wasn’t just an additional qualification, but lead me in a direction I wouldn’t want to miss anymore. But more about that later.

First of all here’s some details about the course and the School of Media at BCU, for everyone who’s interested in the program. There’s quite a lot to say about this intense year, I’ll try to sum some things up:

 

The course structure

The course consists of two modules each in the first two terms and a final project in the end. I started in September 2011 (starting in February is also possible, as well as distance and part time learning). In each of the two taught terms you’ve got an Online Journalism module and another course (Enterprise + Production Lab). All of those modules are very practical and based on independent study and work. If you’re expecting to sit in the lectures, listen and write an exam about that in the end, you’re wrong. The lectures are the basis and it’s up to you what you make out of it.

In each course you’re working on projects, but there’s one huge difference from what I had experienced until then: What’s most important is what you learn from working on those projects, that you explore the area, try new things out and learn through all of those experiences – failure is fine (something that was hard for me to accept in the beginning – but it made total sense).

I really liked that approach, which was implemented by every lecturer. It makes you rather try new things, as you know you won’t only be marked on the final piece, but also on the whole way on which you got there, your efforts, your approach, what you’ve learnt, how you’ve developed your skills etc. – absolutely new to me, but something that I really appreciated. 

 

The workload

When I had a first look at my schedule, I thought they must have made a mistake. Two lectures a week was not really what I had expected, I was a little bit disappointed and signed up for more lectures from other programs. Well, I dropped them all. Those two are indeed more than enough to keep you busy. An important part of this course is independent study where you build up on the stuff you’ve learnt in the lectures. 

I didn’t expect this year to be an easy going studying/holiday – mix, but it was still much more work than I would have thought. So if you’re planning to take this course, be prepared to work some extra hours – it’s all worth it though.

 

The course leader

I have to admit that I didn’t really know much about my award leader Paul Bradshaw before I came to Birmingham. It turned out that I couldn’t have had a better one.

Paul’s knowledge in this area seems to be endless, I didn’t want to miss a single lecture as each of them was highly interesting, helpful and informative, so were the resources Paul offers with the lectures.

However, Paul isn’t a only a lecturer for the one day a week you get together, he’s doing that 24/7 – that’s at least how it seems. He’s regularly forwarding emails about projects you can get involved in, upcoming events, conferences, as well as job offers etc. Paul’s also highly supportive, I always knew I could get back to him whenever I had questions or issues arised. Moreover, he’s coming up with a lot of ideas on what you could work on, try, improve etc. 

What I appreciated a lot was that Paul is really interested in the development of each student: Instead of “just” teaching, he’s giving you advice, pushing you to try new things & find the area you want to specialize in and supports you to develop your skills there. He’s giving feedback apart from assignments and is always looking out for anything that could help you regarding your professional development. This was just an amazing support that had a great influence on what I got out of this course.

 

BCU School of Media

I loved the whole atmosphere here. Everyone’s very helpful and open for questions even if you’re not on their course. I always knew that I could contact other award leaders if I had any questions that they might be able to help me with – which is not self-evident. I really appreciated that.  Diane Kemp and Caroline Officer for example helped me a lot when it came to videography questions (permissions in the UK etc.). Dave Harte gave a fab social media skills course in the first term and Annette Naudin supported me a lot with a video project I was working on for BCU.

In general I never had the feeling of me being the “tiny student” compared to the lecturers. I was rather used to the “almighty” prof, standing in front of the students, sharing his knowledge to them. Sure, the lecturers on my course also shared their knowledge, but it’s a different way of doing so,  much more a mixture of workshop and conversation.

Apart from that, the way you communicate here was just a whole new level for me – after some time it became normal, but at the start I couldn’t believe that students and lecturers were communicating on Twitter – with course own hashtags or the possibility to ask questions (Dave Harte truly is the word record holder in replying tweets). Moreover you can keep track on what lecturers and fellow students are up to. Twitter is an essential tool in the department and I loved that. That’s one  of the things other unis could learn from (as well as the above mentioned focus on the student’s development)

 

Birmingham

I didn’t have a very good impressions of Birmingham before I came here, the images I saw on the internet weren’t really promising. However, what ever you see or hear: Explore it yourself and you’ll see that Birmingham is a really cool place. I really like the city, especially the coffee shops and the area around the canals.

Moreover Birmingham offers so many possibilities linked to the course. There’s a huge hyperlocal blogging as well as social media scene and a lot of interesting meetings are taking place there, like the monthly Birmingham Social Media Café.

 

The UK

For everyone from abroad: It’s in general great to study online journalism in the UK. In my opinion the media scene is much more developed in this area than in other countries, amongst them Germany.

 

And finally my very personal review (the short version):

I expected to learn how to work online as a journalist, I saw it as an additional qualification that would enhance my skills in a changing media landscape, which I found very interesting. However, I would have never imagined that I would learn so much on this course, neither did I think that my professional development would be influenced that much by it. When I started this course I had just finished my VJ-trainee at a TV station. I already loved the internet and spend quite some time with it, however didn’t have a clue about online journalism, I didn’t even know much about Twitter ( I remember when Paul sent me a dm on Twitter and ask me why I kept my tweets private. I had no idea what he was talking about…)

One year later, Twitter and other tools are a normal part of my daily routine, I’m excited about all the possibilities given in working as a journalist online (not only regarding video) and I couldn’t imagine to go back to where I was before I started the course. It wasn’t just an additional qualification. If I compare my skills, interests and ambitions before I took the course, there’s a huge difference – the course has clearly changed my whole professional development and I’m even more in love with this job than I’ve already been before.

There’s so much more to say about this course, but one thing I’ve learnt is that people are not really willing to read long texts online… So I’d better stop and if anyone should ever want to know more details, please get in touch.

Just a final statement:  

Without hesitating I can say that I would take this course again and can recommend it to anyone. If you want know how to work online as a journalist, this is in my opinion the course to choose.

 

And here are some tips for new students on the course: 

 

Don’t plan to become an expert on everything.

There’s so much stuff you are learning on this MA, but don’t expect to get out and be able to rock every single discipline. That’s just not possible. Think about which area interests you most and you want to specialize and work in later. Surely don’t ignore the other areas, but don’t plan to become a community managing data journalism expert, who’s creating online videos including fab motion graphics and knows all about SEO.

 

Network!

One of the main lessons I’ve learnt on this course: To value the power of networking. Get in touch with people, go to events, chat about your projects and keep in touch, e.g. via Twitter. You’ll see how import and helpful a network is for projects, jobs etc. – and also help you to learn more about each certain area of interest.

 

Blog!

Set up a blog and publish posts about your work, research and area of interest. Get in touch with others in the field, interview them or/and try to get some conversations going on your blog.

 

Be curious, ask questions and try new stuff.

Don’t just sit and listen, ask questions if you want to know more or something’s not clear. Explore the field, put as much time in your own professional development as you can and also:

 

Don’t be afraid to fail.

It’s more important to learn from experience than to produce a fab piece. If you’re already great at producing podcasts, it doesn’t make sense to do exactly this because you hope to get a good mark from it (you probably won’t as this is not all that counts). You’re doing that course because you want to learn more, so try new stuff, build up on your skills and don’t stop because you are afraid to fail. This will get you much further than sticking to things you already know or just going the safe ways.

 

Make the most out of this course!

 

 

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Citizen Video

I just published my very first eBook. “Citizen Video – Training and engaging citizens in video journalism” is based on experiences from holding video workshops, the attempt of developing a video community in Birmingham, as well as on interviews and further research.

The handbook is part of my final project for the MA in Online Journalism at Birmingham City University and was written for everyone planning to hold video workshops for citizens: media organisations, citizen journalism websites or anyone who wants to share his knowledge to others.

You can download it here - for free:

Comments are as always very welcome.

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10 tips to get you started in video journalism

I’m currently holding video workshops for citizen journalists, communities, charities and nonprofits in the Birmingham area. For this project I’m also working out tips and tutorials which the participants and anyone else who’s interested can look up and download online, in order to have some information in addition to the workshops – or to be able to read through the stuff we’ve covered there again.

A few months ago I already posted some tips on this blog, however, I now added some and left out those linked to interviews as I wanted to include more general ones first and will be posting interview tips separately.

I decided to post the startup tips here as well, comments and notes are as always very welcome.

Now here we go:

1. Don’t shoot a video just because you can.

Video isn’t made for every story. Before covering a story, think about which medium is the best one to tell it with: Text, audio, pictures, video, graphics?
Don’t use video for e.g. council meetings, exhibitions or long interviews – there has to be a reason why you need to have it on video, something happening, something you need to show. A video about a bunch of politicians sitting and talking at a round table? Yawn.

2. Check your equipment every time before you go out to shoot a video.

Rather do it twice than regret it later. Check if you have everything with you, if your batteries are fully loaded (take some backup with you!), your tripod, camera and mic are working, your memory card is empty etc.

3. Shoot rather more than less footage. But not too much!

If you come back from a shoot and start to edit, realising you don’t have enough footage is not only annoying, but will obviously influence your video negatively. On the other hand, having too much footage will take you a lot of time to look through. That’s one reason why you should also:

4. Don’t just shoot what you see. Think about it!

Don’t film everything that’s connected to your topic. Think about what your story is about and how you want to tell it. Decisions are also being made in the edit, still it’s crucial to know what you’re doing. Think about what you need to tell the story.

But: Don’t plan every single shot before you go out to get your footage – it’s reality you’re covering, you’re not following a fictional script. So keep your eyes open all the time, see what’s happening on scene and also be prepared to change your initial story. Also think about how you want to capture it: What’s the best way to frame each shot?

Think before you press the record button!

5. Use a tripod.

This really depends on the situation and the camera you are using. Normally I’d say it’s necessary to work with a tripod. However, some situations will make you shoot without one. Maybe you don’t have any space to build up a tripod or it simply gives you a better possibility to film a certain shot if you’re doing it handheld. Of course this means to try to hold the camera as steady as possible at the same time. You definitely don’t want shaky images.

If you can put the camera onto a steady ground or you can hold your camera steady in your hand (can work well with e.g. Flipcams) you may also be able to work without a tripod. This should be especially fine for short interviews or a few impressions. If you’re planning a longer report and different shots, you should go with a tripod. Especially close up shots are difficult to film without getting shaky images.

You can get foldable and light tripods for a cheap price. Get one! You’ll mostly achieve a better result! (And even more expensive and better tripods are not necessarily so heavy you couldn’t take them with you all day.)

6. Don’t pan, tilt or zoom for no reason.

Pan, tilt and zoom when you’re not recording to change your framing, do avoid it while you are. On the one hand it’s not that easy to achieve a smooth shot with those, on the other hand you should only do it if it adds value to your shot. Don’t just do it because you can. It normally looks much better to use separate shots instead of panning, tilting or zooming around in the video. An example: If you want to show a wider scene and you’re panning from left to right – show the whole picture in one wide shot instead, unless you want to create some suspense for any reason.

7. Don’t just think about the images, but also about the audio!

You might have shot the greatest sequences and most awesome statements, the interviewee beautifully framed. But if the sound of the video is bad, your video will suffer a lot. Video is not only about images. Bad sound can ruin it all – and normally does.

8. Make your videos as long as they need to be. Don’t stretch them or cut      them off.

Don’t stretch your videos to ten minutes just because you got some footage left and don’t want to ditch it. Stop when the story is told. Stop when you can’t guarantee an interesting video anymore. At the same time: If you got a great story to tell, why stop after three minutes? If it is exiting for ten minutes, go ahead – why end it before and hide the best parts? However: Sometimes good footage can’t be used because it may not add value to or match the story, although the statement might be great or the shot beautiful. You often have to get rid of footage you love. Heartbreaking, but necessary sometimes.

9. Show, don’t tell!

It’s a video. Don’t tell every single detail in the voice over or let “talking heads” rule the video. Use this medium’s strengths, show what’s happening:

If there’s a demonstration and its participants are upset, don’t tell your audience that in a boring voice over. Show the people who are upset and get them telling you their feelings instead of describing it on your own.

Instead of having a statement of a footballer only telling you how great and emotional it was for him to score the crucial goal, show him scoring it and his reaction afterwards.

Would you rather hear someone telling you in a video how exciting and scary it is to bungee jump from a bridge or actually see it? Record the whole scene! Maybe even attach a small camera (for example this neat USB-keyring-camera) on your protagonist’s helmet and you got an even more impressive “statement”. However, you normally do want the protagonist to describe his feelings about that jump as well – but right afterwards, not 10 days later.

These are only examples, but this rule is a general one and is not only made for bungee jumping reports or upset demonstrators. So always keep in mind: It’s video, not text. You don’t need to watch a video to be told that the atmosphere was great if you can’t see it.

10. Use different shots.

Don’t just use wide shots all the time, tell your story with different ones. Also use different framings and perspectives. Nothing’s more boring than a compilation of wide shots.

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Shooting video with a DSLR (part of the popular series “Things I never thought I’d do”)

After grinning into my lens and standing still for about 10 seconds, the girls I was standing in front of with my camera lately at a friend’s wedding were asking themselves when I would finally take that picture. What they didn’t know until I told them: I was in the middle of taking a lot of pics and they were allowed and even supposed to move – I shot a video and this wasn’t the first time that people didn’t get it. One year ago I would have done the same.

A DSLR is known as a device to take single high quality pictures. And not videos. And that’s actually what I bought it for. Now, my DSLR is my all-in-one device for photo- and videography. Not only for private use, but also for my work as a  journalist.

I treat myself with a Canon EOS 550D last year as I wanted to learn more about photography and shoot nicer pictures than I could achieve with my point-and-shoot. I took it to the wedding of a friend, planning to take pictures with it while as well shooting a video with my HD camcorder (using my Canon only as a video backup/2nd camera for the wedding ceremony.) I went into the church, set everything up, switched on my camcorder and realized I was in trouble. Way too dark. I knew this was not to be storied as the wedding video with the best picture quality….

However, I switched on my DSLR and it felt like the chorus started singing “Hallelujah” in the background. It was great and no – I didn’t expect it.

Since this day, my camcorder is suffering the life of an abandoned device. Sorry, mate.

Now, it wouldn’t even come to my mind to take my camcorder instead (only as a backup/2nd cam). My camcorder only has autofocus (one of the most annoying things if you can’t switch to manual…), not a lot of settings and you’ve got less picture quality. Which is obvious. It’s a camcorder I bought for about 200 Euros a few years ago. Still, when I got my Canon I was convinced that, if I wanted to have a really professional camera for videography, I would have to spend a few thousand euros. Which I couldn’t.

I was dreaming of the ones I worked with during my trainee, like this one. I would have never thought about shooting videos with a DSLR.

Yes, I had no idea indeed.

After that and especially during my MA studies in Online Journalism I developed more and more enthusiasm for shooting videos with my DSLR. I practiced a lot, explored possibilities, did some research, learnt more about the technical side etc. And that more and more people are working with the same device to produce their videos, Dan Chung is a popular example for that.

I’m still impressed by what you can achieve with a DSLR and I’m not grieving for the Panasonics from my trainee anymore – not at all (although I still like them). One reason for that is that I love how handy, small and light the camera is, I can easily carry it around, including the equipment I need. One thing I don’t like is the sound quality, which is why I’m always recording interviews separately, using an audio recorder and synchronizing it later. But that doesn’t really bother me.

My Canon is now my all-in-one device for private and professional use, which is why I decided to upgrade my equipment. After my 20€ worth tripod finally fell into pieces, I decided to get a proper Manfrotto tripod, including a video head. I also decided to get a tele lens, as I often missed that possibility when I was filming with my 18-55mm one. In addition to the macro lens I got last year and the KATA backpack I purchased to have a safe and handy bag for everything, I’ve got quite a nice equipment now – still a lot of space to upgrade, but as I haven’t won the student lottery, yet, this is it for now.

But I’m truly in love with it.

After finishing my studies in September, I will go on a longer trip to New Zealand and Australia. And instead of thinking which clothes I will take etc., the most important thing for me is to pack my new video backpack and be ready to film over there.

I can’t wait.

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Live blogging news:rewired

Duarte Romero Varela, Jan Kampmann, Ana Rita Justo and me will be live blogging from the news:rewired conference in London tomorrow:

Click Here

My multimedia portrait about the Big Issue -reloaded

I revised my multimedia portrait about Big Issue vendors in Birmingham a little bit, setting up a website for it and changing the layout of the report. You can now find it here:


http://behindthebigissue.wordpress.com/

Feedback and comments are, as always, very welcome!

Calling all citizen journalists, bloggers, communities, nonprofits: Join free video journalism workshops

“Shooting, editing and distributing video once belonged to you, Big Media. Only you could afford to reach a TV audience built in your own image. Now video is coming into the user’s hands, and audience-building by former members of the audience is alive and well on the Web.” Jay Rosen

Record what you see                image by Alexander Olm on Flickr.

Before I started my video journalism trainee at a regional TV station in Rosenheim/Germany I didn’t think I’d ever be producing my own footage, standing behind the camera. My plan was to be a reporter, going out with a camera man, editing what we recorded together afterwards. I never really came across the term “video journalist” before that. I applied for a trainee in Rosenheim and was told that this TV station only worked with vjs. It sounded interesting, I got the job and ended up producing reports all on my own. That was the best thing that could have happened, as I couldn’t imagine being “just” a reporter anymore.

But to get to the point: Before this I was still used to the traditional division of work, never thought about filming the footage on my own, as I wanted to take the reporter-part. Thanks to the developments in this industry I can do both. But it doesn’t stop there. Due to affordable small digital video cameras, Flip Cams and the possibility to film with your phone, as well as free or affordable editing software, everyone is able to create videos nowadays. Still, a lot of people don’t take that step to get their message out there.

Citizen journalists, communities, charities, nonprofits: All of them are mostly working with text and pictures to tell their stories online. However, in a lot of cases, a video can have much more impact. Just one example: Someone expressing his feelings is much better shown in a video then just described in a text.

And no, you don’t need two years of video journalism training to achieve that. And you don’t need a fancy camera equipment either.

So I’d like to help out crossing that border and will offer free workshops for everyone who wants to get their message out there by producing videos – no matter it’s interviews, single statements, reports, documentaries, portraits. We’ll talk about everything you need to produce your own piece, for your very own purpose, including shooting, editing, storytelling and distribution. And I’ll also help you at the start during the actual production process. No matter if you’ve got a Flip Cam, a camcorder, an iPhone or a small digital camera, no matter which experience you have.

If you’re a citizen journalist/blogger or community, charity, initiative or any other nonprofit organisation in and around Birmingham and want to start telling your stories with videos or improve your skills, I’m looking forward to hearing from you.

As Jay Rosen said it, it’s not just up to the “Big Media” to tell stories with video anymore. So get in touch and let’s get started!

If you’re interested or have any questions, just drop me an email or leave a message on Facebook (you’ll also get updates for workshops on this page) or Twitter, and I’ll get back to you. 

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